The person who played an undeniable occupation in the sensational and melodic advancement at the scene was the Armenian public Narses Nalbandian, a naturalized Ethiopian. Nalbandian was credited with dispatching the task of coordinating the close-by sounds with the western fly, without devastating the authenticity of the music. In doing as such he helped set the energy for the progression of Ethio-Jazz, a hybrid of the pentatonic scale-based tunes of standard Ethiopian music, with the 12-note harmonies and instrumentation of Western music.
Arranger and author Mulatu Astatke, ready in the UK and the USA, returned to Ethiopia in 1970 to add to this for the most part growing style. He brought his own obvious, signature contact, which later deservedly gained him the title of The Godfather of Ethio-Jazz. Under his tutelage, various successful masters emerged.